10.《钢，北美黄杉，旋转座椅》

奥斯卡·图阿松

《钢，北美黄杉，旋转座椅》

2015年

钢，北美黄杉，乙烯基软垫座椅

181 x 65 x 125 厘米

Oscar Tuazon

Steel, Douglas Fir, Swivel Seat

2015

Steel, douglas fir, vinyl upholstered seat

181 x 65 x 125 cm

奥斯卡·图阿松，1975年生于美国西雅图，现生活工作于洛杉矶

Oscar Tuazon, born 1975, Seattle, United States, lives and works in Los Angeles

奥斯卡·图阿松的雕塑作品似乎位于造型艺术、建筑和科技之间的交界处，他的大型公共雕塑常看起来像是DIY的曾有人居住、或为了居住而构筑的结构体，而小型的雕塑则仿佛是有某些实用功能，实际上又与常规相错位的建筑部位。他的作品受到例如唐纳德·贾德， 卡尔·安德烈， 理查德·塞拉等极简主义或大地艺术大师的影响，也会通过“复制”一些经典作品，将其作为还作品于原材料本身的一种再次构建。他执着于“构建”这一动作本身的过程，和材料的物理特性，他认为雕塑与装置类似于房屋，因为两者都是不断建造、维修和维护的。

Oscar Tuazon’s work is situated at the border of art, architecture and technology. His large-scale works in the public space often seem like functional DIY structures which were once inhabited or will be made inhabitable soon, and smaller works seem like functional yet malposed architectural parts. Tuazon is much influenced by the masters of Minimalism and Land Art, such as Donald Judd or Carl Andre, and has "copied" works from them to rebuild and reduce the work to its sheer material. He focuses on the process of building something, and the physical characteristics of the materials. He considers a sculptural installation as being analogous to a house, as both are continuously built, repaired, and maintained.  

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